excerpts from a live set (with Maya Felixbridt) @ Performance Bar, WORM Rotterdam...
An online documentation project of the ARC (art_research_convergence) sessions. ARC is the platform of Leiden University Academy of Creative and Performing Arts (ACPA) and the University of the Arts The Hague....
I was invited by ACPA (Academy of Creative and Performing Arts, Leiden University) to moderate an online session, featuring presentations by Dr. Jenn Kirby (Lecturer in Electronic Music and Technology at Goldsmiths, University of London), Dr. Anıl Çamcı (Assistant Professor of Performing Arts Technology at...
Recorded live at Ephémère series 14.11.2019, Studio Loos...
I had the chance to perform Amnon Wolman's composition/performance piece BUMP on several occasions. Here is an excerpt from the performance which took place during the #46 edition of Hoogtuj festival, at the crowded foier of the Nutshuis, The Hague....
Audio essay, published in Seismograf, peer-reviewed audio journal. Abstract: Comprehending improvisation as a principle creative paradigm affects the way we make music, how we understand it, and how we listen to it. By reflecting on my own practice, I discuss the idea that improvisation exists not...
I was invited to contribute to Practice Sharing, an online presentation of expanded approaches to language-based practice within the field of artistic research (2020)....
Paper presentation (video) at the Midlands New Music Symposium, University of Nottingham, UK (2020). Abstract: SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work...
How to compose a work that demands from the players active participation – not only as interpreting musicians, but also as improvisers, as "instant composers"? How to create a dialogue between pre-composed ideas and the musicians' real-time input? How to notate such music, which musical...
Paper presentaion (online) at the Conference on Artistic Research in Music of the Pyrenees, JIAM Pirineus, Puigcerdà, Spain (2020): abstract: SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work. It can be performed as solo work for a computer musician or as an interaction...
a live-electronics interface for free improvisation. It can be performed as solo computer or together with other improvising musicians....
Satirical video video score / interactive work for free improvisers, featuring speech segments by D. Trump....
Live soundtrack for Jean Epstein’s silent film The Faithful Heart (1923). Together with Ziv Taubenfeld (b. clarinet), Marie Guilleray (voice, electronics), Onno Govaert (percussion), and myself (bass)....
Satirical game piece / text composition, guiding the players (musicians or non-musicians) to freely improvise by narrating a silenced YouTube clip....
My dissertation is available online: https://www.freedomandfixity.com/ Abstract: Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation is a practice-based research project that aims to highlight the role of freedom and fixity in music and to develop a discourse based on these two concepts. The research suggests a...
A work for ensemble (open instrumentation), in which the musicians alternate between solo and group playing. hasBara also features voices, however without any prescribed text, resulting in pseudo language and suggesting open interpretation of this work's 'meaning'. Essential part of this work is the constant oscillation...
Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....
Commissioned and premiered by the Israeli ensemble Musica Nova Consort, this version of hasBara is written for instruments and live-electronics. The musicians trigger the computer sounds, generated by real-time processing of voice samples of Israeli public figures. The content of the words is political....
Debris – A new track by Roberto Garreton and myself (recorded by Jan T.V. Falkenstein), Featured on the massive release audio-DH. Conceived and directed by Francisco López, audio-DH is a collaborative project of epic proportions that weaves the sounds of 250 of The Hague’s creative...
A new track by Roberto Garreton & Ilya Ziblat duo is now available, in a compilation released by Laboratorio Klem (Zawp Records, Bilbao): La Escucha Errante by Various Artists recorded live at the La Escucha Errante sonic arts festival, ZawpLab, Bilbao in 2014 ...
A theatrical composition, combining sounds, acting (miming), and light. The work was written for Elisenda Pujals (voice) and for me (bass)....
Live soundtrack for F. W. Murnau's Nosferatu (1922). For percussion, bass, live-electronics....