primêre kleuren
Soundtrack / sound installation (at the van Doesburg-Rinsema house, museum Dr8888 Drachten)....
Soundtrack / sound installation (at the van Doesburg-Rinsema house, museum Dr8888 Drachten)....
Audio essay, published in the peer-reviewed audio journal Seismograf...
For ensemble and computer-controlled organ, commissioned and played by ensemble CatchPenny, Orgelpark (Amsterdam)...
For amplified bass flute, violin, cello, contrabass, and soundtrack. Commissioned and played by Eutopia Ensemble, Palazzo Tursi, Genova...
An online documentation project of the ARC (art_research_convergence) sessions, the initiative of Academy of Creative and Performing Arts, Leiden University (ACPA) and University of the Arts The Hague....
I was invited by Academy of Creative and Performing Arts, Leiden University to moderate an online session with Dr. Jenn Kirby (Goldsmiths, University of London) and Dr. Anıl Çamcı (University of Michigan). Documentation of the presentations and the discussions available on the Research Catalogue....
I had the chance to perform Amnon Wolman's composition/performance piece BUMP on several occasions. Here is an excerpt from the performance which took place during the #46 edition of Hoogtuj festival, at the crowded foier of the Nutshuis, The Hague....
Contribution to Practice Sharing, an online presentation of expanded approaches to language-based practice within the field of artistic research (2020)....
Paper presentation (video) at the Midlands New Music Symposium, University of Nottingham, UK (2020). Abstract: SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work...
How to compose a work that demands from the players active participation – not only as interpreting musicians, but also as improvisers, as "instant composers"? How to create a dialogue between pre-composed ideas and the musicians' real-time input? How to notate such music, which musical...
Paper presentaion (online) at the Conference on Artistic Research in Music of the Pyrenees, JIAM Pirineus, Puigcerdà, Spain (2020)....
Video score / interactive work, featuring speech segments by D. Trump....
Live soundtrack for Jean Epstein’s silent film The Faithful Heart (1923). Together with Ziv Taubenfeld (b. clarinet), Marie Guilleray (voice, electronics), Onno Govaert (percussion), and myself (bass)....
String instruments and live electronics, digital release / excerpts from a live set @ Performance Bar, WORM Rotterdam...
Musical game / text score, guiding the players (musicians or non-musicians) to improvise by narrating a silenced YouTube clip. Published online in Synzine #5, an online zine for musical games....
My dissertation is available online: https://www.freedomandfixity.com/ Abstract: Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation is a practice-based research project that aims to highlight the role of freedom and fixity in music and to develop a discourse based on these two concepts. The research suggests a...
(Post-)improvisations for bass clarinet / contrabass: a mixed version of free-improv set, recorded at Studio Loos, The Hague...
For ensemble (open instrumentation). The musicians alternate between solo and group playing, and the work also features voices however without prescribed text, resulting in pseudo language open for free interpretation....
Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....
Commissioned and premiered by the Israeli ensemble Musica Nova Consort, this version of hasBara is written for instruments and live-electronics. The musicians trigger the computer sounds, generated by real-time processing of voice samples of Israeli public figures. The content of the words is political....
Debris – A new track by Roberto Garreton and myself (recorded by Jan T.V. Falkenstein), Featured on the massive release audio-DH. Conceived and directed by Francisco López, audio-DH is a collaborative project of epic proportions that weaves the sounds of 250 of The Hague’s creative...
A new track by Roberto Garreton & Ilya Ziblat duo is now available, in a compilation released by Laboratorio Klem (Zawp Records, Bilbao): La Escucha Errante by Various Artists recorded live at the La Escucha Errante sonic arts festival, ZawpLab, Bilbao in 2014 ...
A theatrical composition, combining sounds, acting (miming), and light. The work was written for Elisenda Pujals (voice) and for me (bass)....
Live soundtrack for F. W. Murnau's Nosferatu (1922). For percussion, bass, live-electronics....