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for ensemble and computer-controlled organ...

for amplified bass flute, violin, cello, contrabass, and soundtrack...

I had the chance to perform Amnon Wolman's composition/performance piece BUMP on several occasions. Here is an excerpt from the performance which took place during the #46 edition of Hoogtuj festival, at the crowded foier of the Nutshuis, The Hague....

  How to compose a work that demands from the players active participation – not only as interpreting musicians, but also as improvisers, as "instant composers"? How to create a dialogue between pre-composed ideas and the musicians' real-time input? How to notate such music, which musical...

a live-electronics interface for free improvisation. It can be performed as solo computer or together with other improvising musicians....

Satirical video video score / interactive work for free improvisers, featuring speech segments by D. Trump....

Live soundtrack for Jean Epstein’s silent film The Faithful Heart (1923). Together with Ziv Taubenfeld (b. clarinet), Marie Guilleray (voice, electronics), Onno Govaert (percussion), and myself (bass)....

Satirical game piece / text composition, guiding the players (musicians or non-musicians) to freely improvise by narrating a silenced YouTube clip....

A work for ensemble (open instrumentation), in which the musicians alternate between solo and group playing. hasBara also features voices, however without any prescribed text, resulting in pseudo language and suggesting open interpretation of this work's 'meaning'. Essential part of this work is the constant oscillation...

Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....

Commissioned and premiered by the Israeli ensemble Musica Nova Consort, this version of hasBara is written for instruments and live-electronics. The musicians trigger the computer sounds, generated by real-time processing of voice samples of Israeli public figures. The content of the words is political....

 Debris – A new track by Roberto Garreton and myself (recorded by Jan T.V. Falkenstein), Featured on the massive release audio-DH. Conceived and directed by Francisco López, audio-DH is a collaborative project of epic proportions that weaves the sounds of 250 of The Hague’s creative...

A new track by Roberto Garreton & Ilya Ziblat duo is now available, in a compilation released by Laboratorio Klem (Zawp Records, Bilbao): La Escucha Errante by Various Artists recorded live at the La Escucha Errante sonic arts festival, ZawpLab, Bilbao in 2014  ...

A theatrical composition, combining sounds, acting (miming), and light. The work was written for Elisenda Pujals (voice) and for me (bass)....

Live soundtrack for F. W. Murnau's Nosferatu (1922). For percussion, bass, live-electronics....

Recorded live in haTeiva, Tel Aviv (5.4.2014). Performed by Elisenda Pujals (voice) and Ilya ziblat (bass). This work by Janco Verduin features pre-recorded tracks and live performance.