For live musicians and computer. The work explores the idea of climate activism and our collective social-environmental responsibility. The soundtrack was created using material from interviews I did with climate scientists, civil activists, and from field recordings of demonstrations and other events. SoundAttribution is a work...
Performance at Convergence seminar - (Re)construction in Interdisciplinary Artistic Practices The performance draws simultaneously the eye’s and the ear’s attention, giving a tactile form to an otherwise invisible computer algorithm. It affords a glimpse into the laptop’s “black box”, both for the performing musician and for...
Live-electronics interface. The design inspired by analogue tape (reel-to-reel) composition techniques and uses granular synthesis techniques. The digital interface is used for real-time processing. The user controls the sound-processing parameters playing a touch-sensitive MIDI controller. hav(h)arot renders visible the physicality of computer performance – a performative aspect which...
Post-apocalyptic piano miniature, written for and played by Hagai Yodan for his 60 SECONDS collection of piano miniatures. I composed this while environmental horrors were on my mind. Hagai Yodan, piano...
Audio essay, published in the peer-reviewed audio journal Seismograf...
For ensemble and computer-controlled organ, commissioned and played by ensemble CatchPenny, Orgelpark (Amsterdam)...
For amplified bass flute, violin, cello, contrabass, and soundtrack. Commissioned and played by Eutopia Ensemble, Palazzo Tursi, Genova...
I was assigned by ACPA (Academy of Creative and Performing Arts, Leiden University) to create an online documentation of their 2021-22 ARC (art_research_convergence) events→. The Research Catalogue exposition documents the events and creates an online extension of the original live presentations. Open ARC_view on the Research...
Presentations and discussion by Dr. Jenn Kirby, Dr. Anıl Çamcı, and myself....
Contribution to Practice Sharing, an online presentation of expanded approaches to language-based practice within the field of artistic research (2020)....
Paper presentation (video) at the Midlands New Music Symposium, University of Nottingham, UK (2020). Abstract: SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work...
Paper presentaion (online) at the Conference on Artistic Research in Music of the Pyrenees, JIAM Pirineus, Puigcerdà, Spain (2020)....
live-electronics work / computer interface, real-time processing of samples...
Video score / interactive work, featuring speech segments by D. Trump....
String instruments and live electronics, digital release / excerpts from a live set @ Performance Bar, WORM Rotterdam...
PhD dissertation Academy of Creative and Performing Arts Leiden University, The Netherlands Supervisors: Prof.dr. Marcel Cobussen (Leiden University), Prof.dr. Richard Barrett (Royal Conservatory of The Hague/ Institute of Sonology/ Leiden University) https://www.freedomandfixity.com/ → Abstract: Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation is a practice-based research project that aims...
(Post-)improvisations for bass clarinet / contrabass: a mixed version of free-improv set, recorded at Studio Loos, The Hague...
For ensemble (open instrumentation). The musicians alternate between solo and group playing, and the work also features voices however without prescribed text, resulting in pseudo language open for free interpretation....
Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....
For two pianos. The work explores elasticity of rhythm: through constant stretching and shrinking of the pulse I create a fictitious musical dimension in which the beat becomes a liquid-like element – rather than a periodic, monotonous pulse. Recorded at the A. Schönberg zaal , the...
An interactive live-electronics system. The Instrument can be performed in a concert setting or as a sound installation....
Maya Felixbrodt (viola, electronics), Tomer Harari (electronics, harmonium, objects) Ilya Ziblat Shay (contrabass, electronics) On the verge between acoustic and electronic, improvised and composed, Hatzatz ("gravel" in Hebrew) was an experimental trio, active between 2010-2013. The music was created as a collaborative working process and...
[Untitled, 2012] is a composition for contrabass and electronics. The electronic sounds provide the role of accompaniment – a pre-composed “rhythm section” – and the bass player takes the lead role as the “soloist.” A pre-recorded soundtrack functions as a rhythmic grid into which the...
Commissioned by ensemble Meitar→. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder) ...
For viola, contrabass, and electronics (computer / MIDI keyboard)....