primêre kleuren
Soundtrack / sound installation (at the van Doesburg-Rinsema house, museum Dr8888 Drachten)....
Author: ilya
A Fundamental Mode Of Being in the World: Improvisatory Paths as a Principle Creative Paradigm
Audio essay, published in the peer-reviewed audio journal Seismograf...
Algo_altar
For ensemble and computer-controlled organ, commissioned and played by ensemble CatchPenny, Orgelpark (Amsterdam)...
ep.timism_net zero
For amplified bass flute, violin, cello, contrabass, and soundtrack. Commissioned and played by Eutopia Ensemble, Palazzo Tursi, Genova...
ARC_view (online documentation project of the ARC (art_research_convergence) sessions)
An online documentation project of the ARC (art_research_convergence) sessions, the initiative of Academy of Creative and Performing Arts, Leiden University (ACPA) and University of the Arts The Hague....
Musicians Playing With Computers | Musicians Interacting With The World (online talk & session)
Presentations and discussion by Dr. Jenn Kirby, Dr. Anıl Çamcı, and myself....
BUMP (by Amnon wolman)
I had the chance to perform Amnon Wolman's composition/performance piece BUMP on several occasions. Here is an excerpt from the performance which took place during the #46 edition of Hoogtuj festival, at the crowded foier of the Nutshuis, The Hague....
Live-electronics and speech samples: contribution to Practice Sharing
Contribution to Practice Sharing, an online presentation of expanded approaches to language-based practice within the field of artistic research (2020)....
The Musical Work, Free Improvisation, and Live-Electronics: Towards an Integrated Musical Paradigm
Paper presentation (video) at the Midlands New Music Symposium, University of Nottingham, UK (2020). Abstract: SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work...
SLIL: Composition-Improvisation-Musical Instrument, a work-In-Movement Case Study
Paper presentaion (online) at the Conference on Artistic Research in Music of the Pyrenees, JIAM Pirineus, Puigcerdà, Spain (2020)....
The Faithful Heart
Live soundtrack for Jean Epstein’s silent film The Faithful Heart (1923). Together with Ziv Taubenfeld (b. clarinet), Marie Guilleray (voice, electronics), Onno Govaert (percussion), and myself (bass)....
Strings and Syllables
String instruments and live electronics, digital release / excerpts from a live set @ Performance Bar, WORM Rotterdam...
Between Freedom and Fixity, Artistic Reflections on Composition and Improvisation (online dissertation)
My dissertation is available online: https://www.freedomandfixity.com/ Abstract: Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation is a practice-based research project that aims to highlight the role of freedom and fixity in music and to develop a discourse based on these two concepts. The research suggests a...
Lives of the Lows – live at studio LOOS, Ziv Taubenfeld and Ilya Ziblat
(Post-)improvisations for bass clarinet / contrabass: a mixed version of free-improv set, recorded at Studio Loos, The Hague...
has(b)ara
For ensemble (open instrumentation). The musicians alternate between solo and group playing, and the work also features voices however without prescribed text, resulting in pseudo language open for free interpretation....
Stations and Journeys
Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....
SPOTLIGHT (by Ophir Ilzetzki)
A theatrical composition, combining sounds, acting (miming), and light. The work was written for Elisenda Pujals (voice) and for me (bass)....
Nosferatu
Live soundtrack for F. W. Murnau's Nosferatu (1922). For percussion, bass, live-electronics....
Bokeh (by Janco Verduin)
Recorded live in haTeiva, Tel Aviv (5.4.2014). Performed by Elisenda Pujals (voice) and Ilya ziblat (bass). This work by Janco Verduin features pre-recorded tracks and live performance.
duo Roberto Garretón – Ilya Ziblat
Music for electric guitar, contrabass and electronics. Exploring borders and shared zones between instrumental playing and computer responsive systems - a manifestation of free will and, at times arbitrary, feedback. The compositions are partially structured, partially improvised, suggesting outlines of tonality and of free improvisation. ...
Hatzatz – live at LOOS, March 2012
An excerpt from a live recording which concluded our residency at studio LOOS, the Hague (march 2012). Live video art by Daniel Slabosky. Based on texts by Yossel Birstein, narrated by me and processed live by Maya Felixbrodt. ...
Trembling Time
Trembling Time (for two pianists) explores elasticity of rhythm. Through constant stretching and shrinking of the pulse I am trying to create a fictitious musical dimension in which the beat becomes almost a liquid-like musical element, rather than dictates by an even and constant pulse....
The Instrument
An interactive live-electronics system. The Instrument can be performed in a concert setting or as a sound installation....
- 1
- 2
