works
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works

Soundtrack / sound installation (at the van Doesburg-Rinsema house, museum Dr8888 Drachten)....

For ensemble and computer-controlled organ, commissioned and played by ensemble CatchPenny, Orgelpark (Amsterdam)...

For amplified bass flute, violin, cello, contrabass, and soundtrack. Commissioned and played by Eutopia Ensemble, Palazzo Tursi, Genova...

Trumpet and live-electronics, digital release. With Chloë Abbott, trumpet....

Live-electronics interface, used as a digital music instrument....

Live soundtrack for Jean Epstein’s silent film The Faithful Heart (1923). Together with Ziv Taubenfeld (b. clarinet), Marie Guilleray (voice, electronics), Onno Govaert (percussion), and myself (bass)....

String instruments and live electronics, digital release / excerpts from a live set @ Performance Bar, WORM Rotterdam...

Musical game / text score, guiding the players (musicians or non-musicians) to improvise by narrating a silenced YouTube clip. Published online in Synzine #5, an online zine for musical games....

For ensemble (open instrumentation). The musicians alternate between solo and group playing, and the work also features voices however without prescribed text, resulting in pseudo language open for free interpretation....

Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....

Commissioned and premiered by the Israeli ensemble Musica Nova Consort, this version of hasBara is written for instruments and live-electronics. The musicians trigger the computer sounds, generated by real-time processing of voice samples of Israeli public figures. The content of the words is political....

Live soundtrack for F. W. Murnau's Nosferatu (1922). For percussion, bass, live-electronics....

Trembling Time (for two pianists) explores elasticity of rhythm. Through constant stretching and shrinking of the pulse I am trying to create a fictitious musical dimension in which the beat becomes almost a liquid-like musical element, rather than dictates by an even and constant pulse....

An interactive live-electronics system. The Instrument can be performed in a concert setting or as a sound installation....

  Commissioned by ensemble Meitar. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder)     ...

Work for young string players, commissioned by conductor Josep Manresa for the Corelli Orchestra (Vila-seca conservatory, Catalonya). It is a "didactic" composition, aimed  to introduce 20th century instrumental techniques and improvisation for young musicians (ages 12-15). I had the amazing opportunity to work with these young – and extremely serious – musicians, and to see how they interpret my ideas about composition and improvisation in the most inquisitive and engaged way.