Ilya Ziblat

llya Ziblat

works

  Live-electronics work, inspired by analogue tape (reel-to-reel) composition techniques and by granular synthesis processing. The digital interface is used for real-time sample processing. It follows my finger’s movements and pressure on a touch-sensitive MIDI controller, and controls the processing parameters while displaying the movement on the...

  Post-apocalyptic piano miniature, written for and played by Hagai Yodan for his 60 SECONDS collection of piano miniatures. Hagai Yodan, piano...

For ensemble and computer-controlled organ, commissioned and played by ensemble CatchPenny, Orgelpark (Amsterdam)...

For amplified bass flute, violin, cello, contrabass, and soundtrack. Commissioned and played by Eutopia Ensemble, Palazzo Tursi, Genova...

live-electronics work / computer interface, real-time processing of samples...

  Live soundtrack for Jean Epstein’s silent film The Faithful Heart (Cœur fidèle, 1923). Premiered in Sounds of Silence festival→, the De Nieuwe Regentes, The Hague (29/10/ 2021) with: • Marie Guilleray (voice, electronics) • Onno Govaert (percussion) • Arvind Ganga (elect. guitar) • Ilya Ziblat (contrabass) https://www.youtube.com/watch?v=q5P3hh2aXSE  - trailer -...

For ensemble (open instrumentation). The musicians alternate between solo and group playing, and the work also features voices however without prescribed text, resulting in pseudo language open for free interpretation....

Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....

Live soundtrack for F. W. Murnau's Nosferatu (1922). For percussion, bass, live-electronics....

  For two pianos. The work explores elasticity of rhythm: through constant stretching and shrinking of the pulse I create a fictitious musical dimension in which the beat becomes a liquid-like element – rather than a periodic, monotonous pulse.   Recorded at the A. Schönberg zaal , the...

An interactive live-electronics system. The Instrument can be performed in a concert setting or as a sound installation....

[Untitled, 2012] is a composition for contrabass and electronics. The electronic sounds provide the role of accompaniment – a pre-composed “rhythm section” – and the bass player takes the lead role as the “soloist.” A pre-recorded soundtrack functions as a rhythmic grid into which the...

  Commissioned by ensemble Meitar→. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder) ...

Miniature work for ensemble Klang (trb, a.sax, t.sax, e.guit, pno, perc)...

  For cl, trb, e.guit, vl, db, org, electronics (live, playback) Premiere: 27 May 2010, Orgerlpark, Amsterdam Unmixable Elements is a composition & sound installation, written for the MAE ensemble, for the program Metamorfoses→ (together with Leine & Roebana dance group). Opening the evening's program, the work is...

A work for young string players, commissioned and played by Josep Manresa and the Corelli Orchestra (ages 12-15, Vila-seca conservatory, Catalonia)...