Ilya Ziblat

llya Ziblat

notation / open form

  Post-apocalyptic piano miniature, written for and played by Hagai Yodan for his 60 SECONDS collection of piano miniatures. Hagai Yodan, piano...

For ensemble and computer-controlled organ, commissioned and played by ensemble CatchPenny, Orgelpark (Amsterdam)...

For amplified bass flute, violin, cello, contrabass, and soundtrack. Commissioned and played by Eutopia Ensemble, Palazzo Tursi, Genova...

For ensemble (open instrumentation). The musicians alternate between solo and group playing, and the work also features voices however without prescribed text, resulting in pseudo language open for free interpretation....

Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....

  For two pianos. The work explores elasticity of rhythm: through constant stretching and shrinking of the pulse I create a fictitious musical dimension in which the beat becomes a liquid-like element – rather than a periodic, monotonous pulse.   Recorded at the A. Schönberg zaal , the...

  Commissioned by ensemble Meitar→. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder) ...

Miniature work for ensemble Klang (trb, a.sax, t.sax, e.guit, pno, perc)...

  for ensemble (cl, b.cl, hrn, 2perc, vl, vla, vcl, db)  31 March 2010, Amsterdam conservatory, ASKO Ensemble, Bas Wiegers (cond.)   Seven Different Ways of Getting Lost was composed for the ASKO ensemble, an early attempt to explicitly introduce flexibility into a written score. I was trying to balance between these...

Unmixable Elements was written for the MAE ensemble (formerly the Maarten Altena Ensemble)—cl., trb., elect. guit., vl., db., organ, electronics— and Leine & Roebana dance company (Metamorfoses→ ). The work is composed form several parts that were performed simultaneously in different locations in and around the...

A work for young string players, commissioned and played by Josep Manresa and the Corelli Orchestra (ages 12-15, Vila-seca conservatory, Catalonia)...

  Live soundtracks for silent movies carry a double role: a musical score, accompanying the movie's narrative, highlighting climax point and creating subtle psychological subtexts; as well as, they fill in the 'missing' post-production effects for these silent-film era. I was lucky to be invited by Amir...