For live musicians and computer. The work explores the idea of climate activism and our collective social-environmental responsibility. The soundtrack was created using material from interviews I did with climate scientists, civil activists, and from field recordings of demonstrations and other events. SoundAttribution is a work...
Live-electronics interface. The design inspired by analogue tape (reel-to-reel) composition techniques and uses granular synthesis techniques. The digital interface is used for real-time processing. The user controls the sound-processing parameters playing a touch-sensitive MIDI controller. hav(h)arot renders visible the physicality of computer performance – a performative aspect which...
For ensemble and computer-controlled organ, commissioned and played by ensemble CatchPenny, Orgelpark (Amsterdam)...
live-electronics work / computer interface, real-time processing of samples...
For ensemble (open instrumentation). The musicians alternate between solo and group playing, and the work also features voices however without prescribed text, resulting in pseudo language open for free interpretation....
An interactive live-electronics system. The Instrument can be performed in a concert setting or as a sound installation....
Commissioned by ensemble Meitar→. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder) ...
For viola, contrabass, and electronics (computer / MIDI keyboard)....
Unmixable Elements was written for the MAE ensemble (formerly the Maarten Altena Ensemble)—cl., trb., elect. guit., vl., db., organ, electronics— and Leine & Roebana dance company (Metamorfoses→ ). The work is composed form several parts that were performed simultaneously in different locations in and around the...
Live soundtracks for silent movies have a dual role: they function as a musical score that accompanies the movie's narrative, highlighting climax point and creating dramatic and psychological subtexts; as well as, they fill in the 'missing' post-production effects for these classic silent-film-era works. I was...