Live-electronics work, inspired by analogue tape (reel-to-reel) composition techniques and by granular synthesis processing. The digital interface is used for real-time sample processing. It follows my finger’s movements and pressure on a touch-sensitive MIDI controller, and controls the processing parameters while displaying the movement on the...
For ensemble and computer-controlled organ, commissioned and played by ensemble CatchPenny, Orgelpark (Amsterdam)...
For ensemble (open instrumentation). The musicians alternate between solo and group playing, and the work also features voices however without prescribed text, resulting in pseudo language open for free interpretation....
An interactive live-electronics system. The Instrument can be performed in a concert setting or as a sound installation....
Commissioned by ensemble Meitar→. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder) ...
Live soundtracks for silent movies have a double role: they serve both an autonomous musical score, accompanying the movie's narrative, highlighting climax point and creating subtle psychological subtexts; at the same time, they fill in the 'missing' post-production effects of this silent-film era masterpiece. These...
