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Trembling Time (for two pianists) explores elasticity of rhythm. Through constant stretching and shrinking of the pulse I am trying to create a fictitious musical dimension in which the beat becomes almost a liquid-like musical element, rather than dictates by an even and constant pulse....

  The Instrument is an interactive live-electronics computer system programmed in SuperCollider. The computer can be triggered by any number of pitch-producing resonating object – musical instruments or any kind of objects. There is no score or any instructions, and no limit on the length of...

  During February 2013 we were busy preparing a new program for our duo, featuring newly commissioned pieces and older repertoire for voice, double bass and electronics in various combinations. Together with composers and friends Luc Döbereiner and Lula Romero we spent a few days in a...

On the verge between acoustic and electronic, improvised and composed, Hatzatz ("gravel" in Hebrew) was an experimental trio, active between 2010-2013. The music was created through a collaborative working process and featured improvisation as much as pre-composed structures. Hatzatz often collaborated with visual artists (live...

[Untitled, 2012] is a composition for contrabass and electronics. The electronic sounds provide the role of accompaniment – a pre-composed “rhythm section” – and the bass player takes the lead role as the “soloist.” A pre-recorded soundtrack functions as a rhythmic grid into which the...

  In November 2012, Hatztaz released their first CD, which was recorded during a live concert at studio LOOS (in March 2012). The CD is available for download / order: http://hatzatz.bandcamp.com/ Recording & mixing - Arne Bock Mastering - Thilo Schaller Graphic Design - Inbal Kaplan-Harari     Release mini tour, with...

  Commissioned by ensemble Meitar. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder)     ...

For viola, contrabass, and electronics (computer and MIDI keyboard, played by a third musician). dur. 15′ Duration: 15' Premiere: 20 January 2011, Studio LOOS, the Hague   As suggested by the title (which could be translated from Spanish as: “mode of remembering, mode of forgetting”), MRMO deal with the limitations of...

A miniature work for ensemble (trb, a.sax, t.sax, e.guit, pno, perc), performed by Ensemble Klang....

for ensemble (cl, b.cl, hrn, 2perc, vl, vla, vcl, db) Duration: 9'  31 March 2010, Amsterdam conservatory, ASKO Ensemble, Bas Wiegers (cond.) Seven Different Ways of Getting Lost, a chamber music piece composed for the ASKO ensemble, was an early attempt to explicitly introduce flexibility into a written score. I was...

Slowly They Padded Along is a composition for woodwind trio (flute-clarinet-bassoon). It was performed at the NutsHuis, the Hague. The players are walking around the audience while performing their parts in a set "choreography", exploring the special acoustic possibilities of the hall (which used to...

  For cl, trb, e.guit, vl, db, org, electronics (live, playback) Duration: any (composition / sound installation) Premiere: 27 May 2010, Orgerlpark, Amsterdam Unmixable Elements is a composition / sound installation written for the MAE ensemble, for the program Metamorfoses (together with Leine & Roebana dance group). Aimed to...

The work, for young string instrument players, was commissioned by conductor Josep Manresa for the Corelli Orchestra (Vila-seca conservatory, Catalonya). It is a "didactic" composition, aimed  to introduce 20th century instrumental techniques and improvisation for young musicians (ages 12-15). I had the amazing opportunity to work with these young – and extremely serious – players, and to see how they interpret my ideas about composition and improvisation in the most inquisitive and engaged way.

A work for string orchestra. The recording took place on 13 November 2009 at the National Bank hall, Belgrade. Played by St. George strings and Bojan Suđić (cond.)...

For two instruments or one instrument and voice Duration: approx. 10' In this graphic score, several melodic segments are structured in a circle. The musicians explore different paths in the score, reading the material clock- or counterclockwise, simultaneously together or taking different directions. The title suggests an imaginary...