Audio essay, published in Seismograf, peer-reviewed audio journal. Abstract: Comprehending improvisation as a principle creative paradigm affects the way we make music, how we understand it, and how we listen to it. By reflecting on my own practice, I discuss the idea that improvisation exists not...
I was invited to contribute to Practice Sharing, an online presentation of expanded approaches to language-based practice within the field of artistic research (2020)....
Paper presentation (video) at the Midlands New Music Symposium, University of Nottingham, UK (2020). Abstract: SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work...
How to compose a work that demands from the players active participation – not only as interpreting musicians, but also as improvisers, as "instant composers"? How to create a dialogue between pre-composed ideas and the musicians' real-time input? How to notate such music, which musical...
Paper presentaion (online) at the Conference on Artistic Research in Music of the Pyrenees, JIAM Pirineus, Puigcerdà, Spain (2020): abstract: SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work. It can be performed as solo work for a computer musician or as an interaction...
My dissertation is available online: https://www.freedomandfixity.com/ Abstract: Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation is a practice-based research project that aims to highlight the role of freedom and fixity in music and to develop a discourse based on these two concepts. The research suggests a...
