A Fundamental Mode Of Being in the World: Improvisatory Paths as a Principle Creative Paradigm
Audio essay, published in the peer-reviewed audio journal Seismograf...
Audio essay, published in the peer-reviewed audio journal Seismograf...
An online documentation project of the ARC (art_research_convergence) sessions, the initiative of Academy of Creative and Performing Arts, Leiden University (ACPA) and University of the Arts The Hague....
I was invited by Academy of Creative and Performing Arts, Leiden University to moderate an online session with Dr. Jenn Kirby (Goldsmiths, University of London) and Dr. Anıl Çamcı (University of Michigan). Documentation of the presentations and the discussions available on the Research Catalogue....
Contribution to Practice Sharing, an online presentation of expanded approaches to language-based practice within the field of artistic research (2020)....
Paper presentation (video) at the Midlands New Music Symposium, University of Nottingham, UK (2020). Abstract: SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work...
How to compose a work that demands from the players active participation – not only as interpreting musicians, but also as improvisers, as "instant composers"? How to create a dialogue between pre-composed ideas and the musicians' real-time input? How to notate such music, which musical...
Paper presentaion (online) at the Conference on Artistic Research in Music of the Pyrenees, JIAM Pirineus, Puigcerdà, Spain (2020)....
My dissertation is available online: https://www.freedomandfixity.com/ Abstract: Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation is a practice-based research project that aims to highlight the role of freedom and fixity in music and to develop a discourse based on these two concepts. The research suggests a...