Signature Piece
Miniature work for ensemble Klang (trb, a.sax, t.sax, e.guit, pno, perc)...
08 March, 2013
Author: ilya
Seven Different Ways of Getting Lost
for ensemble (cl, b.cl, hrn, 2perc, vl, vla, vcl, db) 31 March 2010, Amsterdam conservatory, ASKO Ensemble, Bas Wiegers (cond.) Seven Different Ways of Getting Lost was composed for the ASKO ensemble, an early attempt to explicitly introduce flexibility into a written score. I was trying to balance between these...
08 March, 2013
Unmixable Elements
Unmixable Elements was written for the MAE ensemble (formerly the Maarten Altena Ensemble)—cl., trb., elect. guit., vl., db., organ, electronics— and Leine & Roebana dance company (Metamorfoses→ ). The work is composed form several parts that were performed simultaneously in different locations in and around the...
07 March, 2013
[ untitled, for young string players ]
A work for young string players, commissioned and played by Josep Manresa and the Corelli Orchestra (ages 12-15, Vila-seca conservatory, Catalonia)...
07 March, 2013
[ live music for silent film ]
Live soundtracks for silent movies have a dual role: they function as a musical score that accompanies the movie's narrative, highlighting climax point and creating dramatic and psychological subtexts; as well as, they fill in the 'missing' post-production effects for these classic silent-film-era works. I was...
01 October, 2005
- 1
- 2