performance
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performance

I had the chance to perform Amnon Wolman's composition/performance piece BUMP on several occasions. Here is an excerpt from the performance which took place during the #46 edition of Hoogtuj festival, at the crowded foier of the Nutshuis, The Hague....

Live soundtrack for Jean Epstein’s silent film The Faithful Heart (1923). Together with Ziv Taubenfeld (b. clarinet), Marie Guilleray (voice, electronics), Onno Govaert (percussion), and myself (bass)....

Live soundtrack for Buster Keaton’s silent film (1926) In collaboration with Carlos Ema, Oğuz Büyükberber, Luis Mora...

An excerpt from a live recording which concluded our residency at studio LOOS, the Hague (march 2012). Live video art by Daniel Slabosky. Based on texts by Yossel Birstein, narrated by me and processed live by Maya Felixbrodt. ...

A theatrical composition, combining sounds, acting (miming), and light. The work was written for Elisenda Pujals (voice) and for me (bass)....

Live soundtrack for F. W. Murnau's Nosferatu (1922). For percussion, bass, live-electronics....

Recorded live in haTeiva, Tel Aviv (5.4.2014). Performed by Elisenda Pujals (voice) and Ilya ziblat (bass). This work by Janco Verduin features pre-recorded tracks and live performance.

Music for electric guitar, contrabass and electronics. Exploring borders and shared zones between instrumental playing and computer responsive systems - a manifestation of free will and, at times arbitrary, feedback. The compositions are partially structured, partially improvised, suggesting outlines of tonality and of free improvisation.    ...

  During February 2013 we were busy preparing a new program for our duo, featuring newly commissioned pieces and older repertoire for voice, double bass and electronics in various combinations. Together with composers and friends Luc Döbereiner and Lula Romero we spent a few days in a...

On the verge between acoustic and electronic, improvised and composed, Hatzatz ("gravel" in Hebrew) was an experimental trio, active between 2010-2013. The music was created through a collaborative working process and featured improvisation as much as pre-composed structures. Hatzatz often collaborated with visual artists (live...