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Played at Nuthuis, the Hague (during Hoogtuj #46, September 2016) [vc_video link='https://youtu.be/HyEF_9ebk_I'] Composer Amnon Wolman writes about BUMP: Bump is an installation/performance piece with no determined length. There are two basic components to the piece, the live part for bass solo and the electronic part. The piece should...

SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work. It can be performed as solo work for a computer musician or as an interaction between live-electronics and other improvising musicians. It is programmed in SuperCollider as a live-electronics interface for free improvisation. Solo...

This work features speech segments by D. Trump, with the original images warped (slow / fast motion) and the sound replaced by a virtual 'orchestra' of improvisers (the material was assembled after posting an online call for participants). The result: a partially humorist, partially horrifying...

Ziv Taubenfeld (b. clarinet), Marie Guilleray (voice, electronics), Onno Govaert (percussion), and I were working on a live soundtrack for Jean Epstein’s The Faithful Heart (1923). The premiere was supposed to take place at the Sounds of Silence festival, at the De Nieuwe Regentes, The...

A work which is a partially humorist, partially politically charged and horrifying. FAKE NEWS  | STAY TUNED is a game piece (text score) or as an interactive online video clip, which guides its participants (musicians or non-musicians) towards a freely improvised path. ...

Composed soundtrack for Buster Keaton’s silent film (1926) In collaboration with Carlos Ema, Oğuz Büyükberber, Luis Mora...

The title hasBara literally translates from Hebrew as “explanation”, or, more specifically, “an act of explanation”. This is also the name of the department of the Israeli Ministry of Foreign Affairs which is responsible for communicating the policies and actions of the state of Israel...

hasBara is an ensemble work for any instrument (or voices). The open score calls for improvisation, and directs the musicians to alternate between solo and group playing. The work was commissioned by Musica Nova consort (see earlier version), and later performed by Mutu ensemble (video...

Stations and Journeys is a notated / open score for ensemble (at least 8 musicians). The work was commissioned by Ensemble Modelo62 for their [sg_popup id="1847" event="click"]Intercity Sessions[/sg_popup] concert series. I had the chance to work in a close collaboration with the ensemble, and to experience...

 Debris – A new track by Roberto Garreton and myself (recorded by Jan T.V. Falkenstein), Featured on the massive release audio-DH. Conceived and directed by Francisco López, audio-DH is a collaborative project of epic proportions that weaves the sounds of 250 of The Hague’s creative...

A new track by Roberto Garreton & Ilya Ziblat duo is now available, in a compilation released by Laboratorio Klem (Zawp Records, Bilbao): La Escucha Errante by Various Artists recorded live at the La Escucha Errante sonic arts festival, ZawpLab, Bilbao in 2014  ...

[vc_video link='https://www.youtube.com/watch?v=hvWiKl30TAk&feature=emb_title'] Live recording,  concluded our residency at studio LOOS, the Hague (march 2012). images: Daniel Slabosky The electronics soundtrack / live manipulation (of the narrating voice) was done by Maya Felixbrodt. Tomer Harari plays the Harmonium and several other objects through his computer, and the bass is...

SPOTLIGHT (excerpt) by Ophir Ilzetzki, performed by Elisenda Pujals and Ilya Ziblat April 2014, haTeiva (Tel Aviv). [vc_video link='https://youtu.be/4kKR7AAviTU']...

A 90' long live soundtrack for the F. W. Murnau classic Nosferatu (1922). The first performance took place as part of the Sounds of Silence festival (17 January 2015), curated by Amir Vodka-Berendsen. Perc: Mei-yi Lee Cb & computer: Ilya Ziblat. Short video trailer: [vc_video link='https://www.youtube.com/watch?v=dkIdW115zYM&t=38s']   Program notes: The soundtrack for the film Nosferatu...

Recorded live in haTeiva, Tel Aviv, 25 April 2014. Performed by Elisenda Pujals (voice) and Ilya ziblat (bass). This work by Janco Verduin features pre-recorded tracks and live performance. [vc_video link='http://youtu.be/lTmkGBtTae8']  ...

In April we have been invited by the Israeli Composer's League to play two pieces: Ophir Ilzetzki‘s Spotlight (premiered in Norwich on November 2013), and a new piece by Shmuel Malkin. The concert was held in Haifa University. Besides, we have also played our full program in haTeiva,...

Music for electric guitar, contrabass and electronics. Exploring borders and shared zones between instrumental playing and computer responsive systems - a manifestation of free will and, at times arbitrary, feedback. The compositions are partially structured, partially improvised, suggesting outlines of tonality and of free improvisation.    ...

Trembling Time (for two pianists) explores elasticity of rhythm. Through constant stretching and shrinking of the pulse I am trying to create a fictitious musical dimension in which the beat becomes almost a liquid-like musical element, rather than dictates by an even and constant pulse....

  The Instrument is an interactive live-electronics computer system programmed in SuperCollider. The computer can be triggered by any number of pitch-producing resonating object – musical instruments or any kind of objects. There is no score or any instructions, and no limit on the length of...

  During February 2013 we were busy preparing a new program for our duo, featuring newly commissioned pieces and older repertoire for voice, double bass and electronics in various combinations. Together with composers and friends Luc Döbereiner and Lula Romero we spent a few days in a...

On the verge between acoustic and electronic, improvised and composed, Hatzatz ("gravel" in Hebrew) was an experimental trio, active between 2010-2013. The music was created through a collaborative working process and featured improvisation as much as pre-composed structures. Hatzatz often collaborated with visual artists (live...

[Untitled, 2012] is a composition for contrabass and electronics. The electronic sounds provide the role of accompaniment – a pre-composed “rhythm section” – and the bass player takes the lead role as the “soloist.” A pre-recorded soundtrack functions as a rhythmic grid into which the...