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computer

  SLIL (in Hebrew: reel, e.g. a tape reel) is a live-electronics work. It can be performed as solo work for a computer musician or as an interaction between live-electronics and other improvising musicians. It is programmed in SuperCollider as a live-electronics interface for free improvisation. Solo...

Satirical video video score / interactive work for free improvisers, featuring speech segments by D. Trump....

Commissioned and premiered by the Israeli ensemble Musica Nova Consort, this version of hasBara is written for instruments and live-electronics. The musicians trigger the computer sounds, generated by real-time processing of voice samples of Israeli public figures. The content of the words is political....

Live soundtrack for F. W. Murnau's Nosferatu (1922). For percussion, bass, live-electronics....

  The Instrument is an interactive live-electronics computer system, programmed in SuperCollider. The computer can be triggered by any number of pitch-producing resonating object – musical instruments or any kind of objects. There is no score or any instructions, and no limit on the length of...

[Untitled, 2012] is a composition for contrabass and electronics. The electronic sounds provide the role of accompaniment – a pre-composed “rhythm section” – and the bass player takes the lead role as the “soloist.” A pre-recorded soundtrack functions as a rhythmic grid into which the...

  Commissioned by ensemble Meitar. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder)     ...

For viola, contrabass, and electronics (computer and MIDI keyboard, played by a third musician). dur. 15′ Duration: 15' Premiere: 20 January 2011, Studio LOOS, the Hague   As suggested by the title (which could be translated from Spanish as: “mode of remembering, mode of forgetting”), MRMO deal with the limitations of...