Ilya Ziblat

llya Ziblat

works

  Live-electronics interface / work. The design was inspired by analogue tape (reel-to-reel) composition techniques as well as by granular synthesis processing. The digital interface is used for real-time processing. It follows my finger’s movements and pressure (playing a touch-sensitive MIDI controller), controlling the sound-processing parameters while...

  Post-apocalyptic piano miniature, written for and played by Hagai Yodan for his 60 SECONDS collection of piano miniatures. Hagai Yodan, piano...

For ensemble and computer-controlled organ, commissioned and played by ensemble CatchPenny, Orgelpark (Amsterdam)...

For amplified bass flute, violin, cello, contrabass, and soundtrack. Commissioned and played by Eutopia Ensemble, Palazzo Tursi, Genova...

live-electronics work / computer interface, real-time processing of samples...

Video score / interactive work, featuring speech segments by D. Trump....

For ensemble (open instrumentation). The musicians alternate between solo and group playing, and the work also features voices however without prescribed text, resulting in pseudo language open for free interpretation....

Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....

  For two pianos. The work explores elasticity of rhythm: through constant stretching and shrinking of the pulse I create a fictitious musical dimension in which the beat becomes a liquid-like element – rather than a periodic, monotonous pulse.   Recorded at the A. Schönberg zaal , the...

An interactive live-electronics system. The Instrument can be performed in a concert setting or as a sound installation....

[Untitled, 2012] is a composition for contrabass and electronics. The electronic sounds provide the role of accompaniment – a pre-composed “rhythm section” – and the bass player takes the lead role as the “soloist.” A pre-recorded soundtrack functions as a rhythmic grid into which the...

  Commissioned by ensemble Meitar→. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder) ...

Miniature work for ensemble Klang (trb, a.sax, t.sax, e.guit, pno, perc)...

  for ensemble (cl, b.cl, hrn, 2perc, vl, vla, vcl, db)  31 March 2010, Amsterdam conservatory, ASKO Ensemble, Bas Wiegers (cond.)   Seven Different Ways of Getting Lost was composed for the ASKO ensemble, an early attempt to explicitly introduce flexibility into a written score. I was trying to balance between these...

Unmixable Elements was written for the MAE ensemble (formerly the Maarten Altena Ensemble)—cl., trb., elect. guit., vl., db., organ, electronics— and Leine & Roebana dance company (Metamorfoses→ ). The work is composed form several parts that were performed simultaneously in different locations in and around the...

A work for young string players, commissioned and played by Josep Manresa and the Corelli Orchestra (ages 12-15, Vila-seca conservatory, Catalonia)...

  Live soundtracks for silent movies carry a double role: a musical score, accompanying the movie's narrative, highlighting climax point and creating subtle psychological subtexts; as well as, they fill in the 'missing' post-production effects for these silent-film era. I was lucky to be invited by Amir...