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audio & video

for ensemble and computer-controlled organ...

for amplified bass flute, violin, cello, contrabass, and soundtrack...

I had the chance to perform Amnon Wolman's composition/performance piece BUMP on several occasions. Here is an excerpt from the performance which took place during the #46 edition of Hoogtuj festival, at the crowded foier of the Nutshuis, The Hague....

a live-electronics interface for free improvisation. It can be performed as solo computer or together with other improvising musicians....

Satirical video video score / interactive work for free improvisers, featuring speech segments by D. Trump....

Live soundtrack for Jean Epstein’s silent film The Faithful Heart (1923). Together with Ziv Taubenfeld (b. clarinet), Marie Guilleray (voice, electronics), Onno Govaert (percussion), and myself (bass)....

A work for ensemble (open instrumentation), in which the musicians alternate between solo and group playing. hasBara also features voices, however without any prescribed text, resulting in pseudo language and suggesting open interpretation of this work's 'meaning'. Essential part of this work is the constant oscillation...

Stations and Journeys is a notated / open score work for ensemble (of at least 8 musicians). The work was commissioned by Ensemble Modelo62....

Commissioned and premiered by the Israeli ensemble Musica Nova Consort, this version of hasBara is written for instruments and live-electronics. The musicians trigger the computer sounds, generated by real-time processing of voice samples of Israeli public figures. The content of the words is political....

 Debris – A new track by Roberto Garreton and myself (recorded by Jan T.V. Falkenstein), Featured on the massive release audio-DH. Conceived and directed by Francisco López, audio-DH is a collaborative project of epic proportions that weaves the sounds of 250 of The Hague’s creative...

A new track by Roberto Garreton & Ilya Ziblat duo is now available, in a compilation released by Laboratorio Klem (Zawp Records, Bilbao): La Escucha Errante by Various Artists recorded live at the La Escucha Errante sonic arts festival, ZawpLab, Bilbao in 2014  ...

A theatrical composition, combining sounds, acting (miming), and light. The work was written for Elisenda Pujals (voice) and for me (bass)....

Live soundtrack for F. W. Murnau's Nosferatu (1922). For percussion, bass, live-electronics....

Recorded live in haTeiva, Tel Aviv (5.4.2014). Performed by Elisenda Pujals (voice) and Ilya ziblat (bass). This work by Janco Verduin features pre-recorded tracks and live performance.

Music for electric guitar, contrabass and electronics. Exploring borders and shared zones between instrumental playing and computer responsive systems - a manifestation of free will and, at times arbitrary, feedback. The compositions are partially structured, partially improvised, suggesting outlines of tonality and of free improvisation.    ...

An excerpt from a live recording which concluded our residency at studio LOOS, the Hague (march 2012). Live video art by Daniel Slabosky. Based on texts by Yossel Birstein, narrated by me and processed live by Maya Felixbrodt. ...

Trembling Time (for two pianists) explores elasticity of rhythm. Through constant stretching and shrinking of the pulse I am trying to create a fictitious musical dimension in which the beat becomes almost a liquid-like musical element, rather than dictates by an even and constant pulse....

  The Instrument is an interactive live-electronics computer system, programmed in SuperCollider. The computer can be triggered by any number of pitch-producing resonating object – musical instruments or any kind of objects. There is no score or any instructions, and no limit on the length of...

On the verge between acoustic and electronic, improvised and composed, Hatzatz ("gravel" in Hebrew) was an experimental trio, active between 2010-2013. The music was created through a collaborative working process and featured improvisation as much as pre-composed structures. Hatzatz often collaborated with visual artists (live...

[Untitled, 2012] is a composition for contrabass and electronics. The electronic sounds provide the role of accompaniment – a pre-composed “rhythm section” – and the bass player takes the lead role as the “soloist.” A pre-recorded soundtrack functions as a rhythmic grid into which the...

  Commissioned by ensemble Meitar. For fl. cl. vl. vla. vcl. pno. and live-electronics Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder)     ...

For viola, contrabass, and electronics (computer and MIDI keyboard, played by a third musician). dur. 15′ Duration: 15' Premiere: 20 January 2011, Studio LOOS, the Hague   As suggested by the title (which could be translated from Spanish as: “mode of remembering, mode of forgetting”), MRMO deal with the limitations of...