audio / video
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audio / video

  https://www.youtube.com/watch?v=sacMaTbVea4...

Debris – A new track by Roberto Garreton and myself (recorded by Jan T.V. Falkenstein), Featured on the massive release 'audio-DH'. 'Conceived and directed by Francisco López audio-DH is a collaborative project of epic proportions that weaves the sounds of 250 of The Hague’s creative minds...

A new track by Roberto Garreton & Ilya Ziblat duo is now available, in a compilation released by Laboratorio Klem (Zawp Records, Bilbao): https://www.recordunion.com/Music/Album/49917#.Vh5U1mQrL-m (recorded live at the La Escucha Errante sonic arts festival, ZawpLab, Bilbao in 2014) ...

A 90' long live soundtrack for the classic film Nosferatu. The first performance took place as part of the SoS festival (17 January 2015), curated by Amir Vodka-Berendsen. perc: Mei-yi Lee; cb & computer: Ilya Ziblat. https://youtu.be/ZWsMTxzWytQ Program notes: The soundtrack for the film Nosferatu takes on a double role: on the one...

Recorded live in haTeiva, Tel Aviv, 25 April 2014. performed live / pre recorded by Elisenda Pujals (voice) and myself on bass. Composition and video by Janco Verduin. http://youtu.be/lTmkGBtTae8 ...

photo by Stephan Kaffa Music for electric guitar, contrabass and electronics. Exploring borders and shared zones between instrumental playing and computer responsive systems - a manifestation of free will and, at times arbitrary, feedback. The compositions are partially structured, partially improvised, suggesting outlines of tonality and of free improvisation. We have...

This is a new version of this piece (originally from 2010) and also a new recording, made at the A. Schönberg zaal , the Hague Conservatory. Played by Rob Manthey & Teodora Stepancic . Recorded & mixed by Nina Kraszewska.   https://soundcloud.com/ilyaziblatshay/trembling-time-final-mix090713         ilya ziblat - trembling time for piano duo...

  The Instrument may be realized either as a concert piece or as a sound installation. The composed part is a pre-recorded soundtrack of several voices reading through the same text, translated to each one's own native language. This audio material is then played in segments via...

https://www.youtube.com/watch?v=hvWiKl30TAk from the album recording / live video conecrt, which concluded our residency at studio LOOS, the Hague (march 2012). images: Daniel Slabosky The electronics soundtrack / live manipulation (of the narrating voice) was done by Maya Felixbrodt. Tomer Harari plays the Harmonium and several other objects through...

    On the verge between acoustic and electronic, improvised and composed, Hatzatz ('gravel' in Hebrew) is an experimental trio, playing since summer of 2010. The working process is usually a collaborative one, trying to allow the players a significant amount of freedom (mainly through improvisation), while...

The piece was selected for the European Competition for Live Electronic Music Projects 2012. Duration: ca. 15' Premiere: John Eckhardt, 3 November 2012, De Singel, Antwerp at the ISCM World New Music Days (alongside pieces by M. Donnarumma, J. Velickovic and A. Schubert).   audio excerpt: https://soundcloud.com/ilyaziblatshay/basselectronics-ecpnm-concert video excerpt: https://vimeo.com/68946786 Program notes: This new work is for solo contrabass and...

  Commissioned by ensemble Meitar. For fl. cl. vl. vla. vcl. pno. and electronics (soundtrack / supercollider) Duration: 9' Premiere: 5 July 2012 Levontin 7, Tel Aviv, Israel (ensemble Meitar, cond. Guy Feder) https://soundcloud.com/ilyaziblatshay/meitar-ensemble-july-2012 https://soundcloud.com/ilyaziblatshay/meitar-ensemble-july-2012-1 ...

for contrabass, viola, live electronics (supercollider / MIDI keyboard) Duration: 15' Premiere: 20 January 2011, Studio LOOS, the Hague ( Maya Felixbrod, viola; Tomer Harari, electronics; Ilya Ziblat Shay, double bass ) About this piece (suggested program notes): As suggested by the title (which translates more or less to: 'mode of remembering, mode...

for ensemble (trb, a.sax, t.sax, e.guit, pno, perc) Duration: 40 seconds Premiere: 25 May 2008, TAG, the Hague. Ensemble Klang. Further performances: 5 Mar 2011, with video work by Shiri Limor. Korzo theater, The Hague. http://youtu.be/CNeOz6cftdA...

for voice and double bass Duration: 5' 30" Premiere: 25 April 2006, Koninklijk Conservatorium, the Hague Marian Angeles Marques Fernandez, voice Ilya ZIblat, double bass Further performances by M. A. Marques Fernandez and Rodrigo Reijers, and by Elisenda Pujals and Ilya Ziblat Shay. https://soundcloud.com/ilyaziblatshay/incueme (E. Pujals and I. Ziblat). recorded by G.Aner. - - - PLEASE LISTEN...

for ensemble (cl, b.cl, hrn, 2perc, vl, vla, vcl, db) Duration: 9' Premiere: 31 March 2010, Amsterdam conservatory, ASKO Ensemble, Bas Wiegers (cond.) https://soundcloud.com/ilyaziblatshay/seven-different-ways-of-getting-lost-segment Seven Different Ways of Getting Lost, a chamber music piece composed for the ASKO ensemble, was an early attempt to explicitly introduce flexibility of performance into a written score, through various...

for flute, clarinet, bassoon Duration: 10' Premiere: 8 November 2009, Het NutsHuis, the Hague Slowly They Padded Along (Was It Actually Sad? is a composition for woodwind trio (flute-clarinet-bassoon), first performed at the NutsHuis, the Hague. The players are walking around the audience while performing their parts, in a...

for piano duo Duration: 13' Premiere: 22 April 2010, Koninklijk Conservatorium, the Hague, Ruud Zielhorst & Emiel Janssen Trembling Time, for two pianos, explores aspects of elasticity in rhythm. Through constant stretching and shrinking of the pulse, I am trying to create a fictitious musical dimension, in which the musical...

A 'didactic' composition, for a youth string orchestra (ages 12-15). I was aiming at introducing both 'extended' instrumental techniques and improvisation to the young players. Duration: 6' Premiere: 3 June 2012, Torredembarra town hall, Catalonia, Spain Corelli Orchestra (Vila-seca conservatory, Catalonya) Josep Manresa, cond. https://vimeo.com/61301218...

for chamber string orchestra (at least 4, 4, 3, 2, 1) Duration: 10' Premiere: 13 November 2009, National Bank hall, Belgrade. St. George strings, Bojan Suđić (cond.) video excerpt: https://vimeo.com/68908818 An earlier version of this piece, for strings and two horns was performed by ensemble Royal, at the conservatory at the Hague during the...

for cello solo Duration: 11' https://soundcloud.com/ilyaziblatshay/microgrooves-vcl-solo  ...